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| Wiley again |
| 09.02.03 (6:08 pm) [edit] |
that did sound like a diss, didn't it.
what I should have added is that Wiley's productions give that sub bass more room to move than anything else in the hardcore continuum/post acid thang since early warp bleep 'n' bass (LFO/Sweet Exorcist). Not too many worlds away from "clonk", much of the minimal 8-bar/grime/whatever they call it this week, really...
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